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THEY KILL THEIR HEROES
By : M.R.Sethi
ALMOST everybody likes telling stories. It is said that every
literate young person, at some time or other in his or life life,
tries to write a story. A story may be autobiographical or the idea
may be provided to the writer by an event.
A very common feature of the stories of all striving (or for that
matter some mature) writers, is that the writer likes to make the
hero or the heroine of his story die. The climax of the story
generally consists of the death of the hero. This feature or trait
is particularly visible in the stories of the beginners.
It is surprising why the writer makes the leading character die. In
K.A. Abbas's story "The Sparrows'' (it was his first story) the hero
dies in an attempt to save a pair of sparrows. Similarly, Old
Behnnan, the hero of 0. Henry's story "The Last Leaf' dies of
pneumonia caught in an attempt to save the life of a young girl,
Johnsy, Numerous other examples can be given where the writer
"kills" the hero or the heroine of the story on rather ridiculous
grounds.
Why do the writers "kill" their heroes? Perhaps they want to give
their stories a tragic end. When a writer finds that his story lacks
enough tragic element, he moulds it in such a way as to culminate in
the death of the hero.
If literature is the mirror of life, a short story is by no means an
exception. It is also supposed to portray some facet of everyday
life. However, in real life a man does not die if his wife deserts
aim.
Nor does a young, attractive girl end up her life on sick bed when
her lover turns unfaithful.
The love of life is great. Notwithstanding the claims of
psychologists and philosophers that the modern man is fed up with
life and harbors a death-wish, the average man wants to live.
Every day we see many people who seem to be leading a wretched life:
The leper, with puss and blood oozing out of his wounds; the
one-legged, emaciated and miserable beggar; the aged clerk, with his
back bent with the burden of responsibilities and with wrinkles
deepened by nerve-racking worries of existence. By all apparent
counts they are miserable and wretched people—living corpses, so to
say. But just approach anyone of them and suggest that he take his
life!
Nobody wants to die. Although you may hear many people complain that
they are fed up with life, in the heart of their hearts they want to
live on. Pope, in his poem "An Essay on Man'', says that a man is
always happy with the state he is in, and nobody wants to trade
places with his neighbor. He says that sometimes even a beggar can
he seen dancing with joy.
Then what makes a writer kill his hero? A writer generally
identifies himself with the hero of the story. It is an agreed fact
that difficulties are part and parcel of life. Nobody can escape his
quota of ill-luck or misfortunes. Everyone is subject to the
stresses and strains of the busy modern, life. In such
circumstances, man may sometimes feel himself at his wit's end to
face the odds of life. In irritation and desperation, the man may
wish momentarily for death.
Now when the idea of committing suicide enters his mind, his love of
life prevents him from acting on it. To give this emotion an outlet,
the man conjures up an imaginary character that dies in his place.
And if the sufferer happens to be a writer, he writes a story which
culminates in the death of the hero. Therefore, what the writer dare
not do himself, he makes his hero do.

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